![]() ![]() That morning, as Mladic’s forces roll into town behind huge armored tanks, Aida translates at a tense meeting between ranking UN colonel Thom Karremans (Johann Heldenbergh) and the city mayor, who is visibly upset. #Aida extreme edition mega professional#Working as an interpreter for the Dutch UN peacekeeping battalion, who in that moment is deployed in the region, she is a tough-minded professional privy to high-level intelligence. The story is told from the viewpoint of Aida (Jasna Djuricic), a local woman whose husband was once the town’s schoolmaster and whose two grown sons are dangerously exposed to the invading army. ![]() But whereas Grbavica confronted the post-war legacy of Bosnian women raped by Serbs during the war, the current film goes directly for the pain and fear of the moment itself. On the contrary, the Sarajevo-born Zbanic takes a very personal approach, echoing the heart and guts of her first feature Grbavica: The Land of My Dreams, which won the Golden Bear in Berlin in 2006. ![]() There is absolutely no feeling of the Euro pudding in this international co-production, which includes Bosnia and Herzegovina, Austria, Romania, the Netherlands, Germany, Poland, France, Norway and Turkey. Stymied by bureaucracy and political unwillingness to irritate Serbia, they inertly allow thousands to be loaded onto buses and taken to their deaths. The film is a grave indictment of the way UN forces reneged on their promise to bomb the Serbs if they attacked the population. Though there have been serious documentaries made over the years, photographic exhibits and other memorials, Zbanic’s fictionalized screenplay sucks the viewer into the nightmare of Srebrenica, where Mladic’s murderous soldiers triumphantly swagger through a deserted town and the residents flee to what they think is the safety of a United Nations compound. The subject is horrifying but the screen is hard to look away from, as the situation becomes a powder keg of tension. ![]()
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